Lightroom. Photoshop CS5. Digital Photography. HDR. Tone-mapping. HD-DSLR. Killer Tips and Techniques….You’ve probably noticed that when it comes to instructional photography books, the market is heavily biased towards those that teach techniques and tips for crafting technically excellent images. Terribly under-represented are those books which inspire and inform the “thinking” end of crafting photographs. You might read every available technical book and subsequently be able to create technically exacting photographs, but chances are that if there’s little thought process behind your photographs, they might very well be lacking emotive qualities and meaning. Despite what the photo-book marketplace proffers, flawless execution is not the end-all be-all of photography; it is but one mere component to crafting compelling and engaging images.
I would like to herein bring your attention to three excellent inspirational photography books. While only one is technically “new” to the market, all are timeless resources which should aid in your pursuit of creating thoughtful images; images that inform, enlighten, and create a sense of wonder.The Practice of Contemplative Photography: Seeing the World with Fresh Eyes.
“It is not what you shoot but how you shoot it. If you rely on direct perception and nonconceptual intelligence, it will be contemplative photography. On the other hand, if you shoot color or texture from a conceptual perspective, it won’t be contemplative photography at all.”
My workshop client, Nikko, is the President of Shambhala Publications, and was kind enough to send me this wonderful book by Andy Karr and Michael Wood. I became familiar with Wood’s work a few yeas back when I stumbled upon the Miksang Institute website. Miksang, or Contemplative Photography, is “concerned with uncovering the truth of pure perception. We see something vivid and penetrating, and in that moment we can express our perception without making anything up—nothing added, nothing missing. Totally honest about what we see—straight shooting.” It’s a fascinating and liberating concept, but one that will be most challenging to execute for those who visualize all or most of their photographs before actually releasing the shutter. Contemplative Photography is based on “Flashes of Perception“. These are defined as visual glimpses of something/anything that can cause an unexpected break in the flow of our thoughts or activities; our perception is immediately and quickly aimed at other than what we were just doing/seeing. The resulting photographs are unfettered by conceptual ideas and often reflect simple and uncontrived views of form, color, space, and energy. The goal of Contemplative Photography is to not interrupt these flashes of perception with our own preconceptions and compositional ideas of what the photograph should look like. This is Zen Photography, if you will – clear seeing in the present. Buy this book and liberate your mind.
Exposures: Views from Both Sides of the Camera – Guy Tal.
“…seeing is about creating meaning from a continuous stream of visual information, where any given instance is meaningless. Conversely, photography is about creating meaning from one fleeting instance, where all events preceding and following it are irrelevant.“
I should first state that Guy and I have been good friends for a number of years. We’ve taught together, shot together, and have photo-philosophized
more times than I can recall. Even if we weren’t friends, I’d rank Guy at the top of current inspirational photographer/writers. Guy’s ebooks have sold well and garnered strong reviews, yet I suspect that Exposures has been largely overlooked due to its cover price (an unfortunate and necessary side-effect of Publishing On Demand). This book includes scores of Guy’s inspirational photographs, and fifteen insightful essays on Wilderness; intimate landscape photography; creativity; art; and the stories behind the creation of specific images and the experiences that led up to them. Guy’s writing style excites my imagination and simply makes me want to be out there exploring and shooting. The only other writers who impact me this way do not even write about photography! His words are powerful, precise, and articulate and should motivate anyone to better their art. Is it an inexpensive book? It is, in fact, the most expensive of the three, but how do you dollar-value this kind of inspiration?
This book was first published in 2004. As David Ward is one of those “across the pond” UK landscape photographers, many here in the States are unfamiliar with his work and this book. This book is broken down into six distinct sections and includes what many books in this genre overlook: the history of photography as art, and a look at its pioneers and their practices and achievements. It is difficult to stand on the shoulders of giants if you don’t know who are the giants and are not aware of the paths they’ve paved for us. Like Tal, Ward is a convincing and powerful writer on creativity and philosophy, and similar to Tal’s book, I appreciate the complete absence of mind-numbing technical minutiae. As with Tal’s Exposures, this is a good book to sit down with in a big easy chair and wrap your mind around its words and images.
Bored of your work? Creativity at a standstill? Photographer’s block? Refresh your philosophies and renew your passion with these outstanding publications. Have you already read them? Please feel free to share your comments here.
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