Photograph: Desert Mariposa Lily (Calochortus kennedyi)

Mariposa
Some seem surprised when I inform them that on the California desert there is always something blooming somewhere every month of the year. Long after the spring annuals have spent themselves and have gone to seed, perennial shrubs and other unique annuals begin to appear (often coincident with rising temperatures and heat). This is the paradox and beauty of the desert. She never fails to reveal her beauty and she never disappoints.

Mariposa is Spanish for butterfly, and she is surely beautiful and delicate like a butterfly. She’s a member of the Lily family (Liliaceae) and rarely grows more than a few inches tall. Her color can vary widely from pale yellow to brilliant California Poppy orange. Noted taxonomist and botanist Philip A. Munz suggested that the desert mariposa lily is “probably the most beautiful of desert wildflowers“. Will you disagree with Munz? The Desert Mariposa Lily grows from barren soils and conditions (see the middle image above) and thus seems spectacularly beautiful against a drab canvas. The spirit of Georgia O’Keeffe often reaches a flower before me and stylizes it for my lens (above left).

I recall a well-known U.S. photography magazine in which they’d publish their annual travel calendar for nature and landscape photographers. This suggested 12-month calendar offered twelve or more different U.S. photographic destinations, one for each month based on the peak conditions of particular locations (for example: Jan: Winter Photography in Yellowstone NP; February: wildflowers in Death Valley NP; and so on…). As a photographic “specialist”, I always found this calendar slightly amusing. It’s taken me a lifetime of naturalist observation to develop my own twelve-month calendar in my own habitat. I’m sure as heck not passing up my Mariposa Lily bloom so I can stand with crowds of other photographers at the June hotspot.

Consider developing your  own annual photographic calendar through a long and deep commitment to a habitat or subject(s). Time will be your only challenge – you will never find yourself at a loss for ideas or subjects.

You are visiting the blog of landscape photographer Michael E. Gordon. For additional photos and information, please visit his website or follow him on Facebook and Instagram.

The Geography of Hope: The Incompatible Ideals of Wilderness and Industrialized Tourism

This essay is about wilderness character, geotagging/location sharing; and overcrowding/vandalizing of public lands. Many articles have been published denouncing location-sharing due to their overcrowding and vandalizing. This essay is a rebuttal to those opinion pieces which advise readers to “keep on geotagging” while suggesting that those who enjoy wilderness character are elitist. I welcome your comments and feedback.

Ivanpah-Panorama
It’s late May on the Mojave Desert. The air temperatures and weather this spring have been remarkably unseasonable. Palm Springs, California is normally sizzling this month but in a few days it will record its coolest May on record. It’s been an extraordinary spring: the wildflower explosions; the millions of butterflies and bees (oh, the Painted Ladies!); and the gazillion pounds of biota respond in kind to a bountiful winter. Strangely, there is no longer a drought. This place is alive. I’m alive – a very happy and content desert explorer.

I arrived at the foot of the range mid-afternoon to long shadows. This place has a National in its designation, but being far from services, gasoline, lodging, and notable icons in the world of social media, the cooing Gambel’s Quail, Say’s Phoebes, and Phainopeplas and I have it all to ourselves. I plan to climb up high on the craggy ridge and traverse its length, returning to my truck from the opposite side of the ridge. I’m not sure what I’ll find along the way but I expect magic; it’s always there. The 360-degree views from the top are stunning; I can see an uncountable number of mountain ranges and into three different United states from my high vantage (there are five mountain ranges visible in the above image; the site for this journal). It’s breathtaking; I could cry. I should cry. The cackling White-throated Swifts and desert wind are the only people I see and sounds I hear (birds are my people). Except for my own, no human or vehicle is within miles of me. This is exactly why I am here. This might be terrifying for many, but this is my sanity and world peace. This urge is merely evolutionary and biological; I never suppressed it. I feel whole and alive.

A remarkable thing happened to the United States in late 1964. The passage of The Wilderness Act sought to assure that an “increasing population, accompanied by expanding settlement and growing mechanization, does not occupy and modify all areas within the United States and its possessions, leaving no lands designated for preservation and protection in their natural condition”. The Act further defined “wilderness” as “in contrast with those areas where man and his own works dominate the landscape, is hereby recognized as an area where the earth and its community of life are untrammeled by man, where man himself is a visitor who does not remain. An area of wilderness is further defined to mean….retaining its primeval character and influence, without….human habitation, which is protected and managed so as to preserve its natural conditions….. [and] has outstanding opportunities for solitude or a primitive and unconfined type of recreation”.

In summary, the 1964 Wilderness Act set aside protected lands to retain their primeval character and natural conditions (a rather abstract and lofty concept for a nation hellbent on “progress” and sacking money). Secondly, it recognized the need for human-untrammeled lands and solitude (for the mutual benefits of both wildlife and humans). Sadly, The Wilderness Act arrived too late for the central and eastern United States but it allowed for the protection of much of western U.S. wildlands (U.S. Wilderness MAP) which draws millions of visitors from around the world (unfortunately, not all with the best of intentions).

In 1960, the great novelist Wallace Stegner wrote the now-famous “Wilderness Letter” to urge for the passage of the forthcoming Wilderness Act. Stegner deemed wilderness “an intangible and spiritual resource” which can offer “spiritual renewal, the recognition of identity, the birth of awe”. It’s impossible to define what these are and how they feel unless you’ve allowed yourself to have this experience. Stegner continued to assert that wilderness is “something that has helped form our character and that has certainly shaped our history as a people.

Readers are surely aware of the recent spate of nuisance and destructive human behavior on public lands. It’s not just here in the Unites States – it’s happening everywhere (public lands and private). Everything from graffiti/tagging to illegal fires to rock stacking/cairn building to toppling prominent rock formations to trashing fields of wildflowers to outright habitat destruction. We don’t yet have any conclusive studies but many of us attribute it to the explosion of social media, geotagging, location sharing, and a very particular photo sharing platform for which people have proved willing to risk and take their lives for self-portraits (“selfies” in their vernacular). Many of us have repeatedly argued against sharing locations to help protect them from the destructive ways of humans; the F.O.M.O. Generation rails back with “elitist” and “racist”.

Let’s set the record straight: wilderness character is impossible to preserve if everyone is present. It’s not about keeping away any particular age, gender, or color –  I want to preserve that intangible and spiritual resource. It’s long gone when one is surrounded by crowds, antics, and chatter. If you enjoy crowds and socializing, great! Please go where those qualities exist (recommendations provided upon request) but please don’t be upset with those who wish to retain the natural character of wild places.

It’s true: we cannot save these places from industrial destruction if no one knows them or loves them. But we also can’t save them from industrialized recreation if they’re equally shared by all 330 million Americans and a few million tourists from abroad. This isn’t elitism or racism – it’s reality. I welcome you to find and share my sacred spaces with me but please don’t be upset because I don’t provide a name, waypoints, or an e-guide. Gumption, legs, and burning desire will get you high on this desert ridge; geotags are for the elite.

“Without any remaining wilderness we are committed wholly, without chance for even momentary reflection and rest, to a headlong drive into our technological termite-life, the Brave New World of a completely man-controlled environment. We need wilderness preserved – as much of it as is still left, and as many kinds – because it was the challenge against which our character as a people was formed. The reminder and the reassurance that it is still there is good for our spiritual health even if we never once in ten years set foot in it. It is good for us when we are young, because of the incomparable sanity it can bring briefly, as vacation and rest, into our insane lives. It is important to us when we are old simply because it is there – important, that is, simply as an idea.” Wallace Stegner

You are visiting the blog of landscape photographer Michael E. Gordon. For additional photos and information, please visit his website or follow him on Facebook and Instagram.

Film’s Not Dead: Introduction to Large Format Photography Workshop: Nov 15-17, 2019 – Death Valley National Park

 

I am pleased to announce my next long-awaited Introduction to Large Format Photography Workshop: November 15-17, 2019, taking place in the incomparable Death Valley National Park. This workshop is limited to only six photographers – everyone will receive lots of hands-on instruction and attention. NO previous large format experience is required and loaner gear may be available for those who do not already own. Learn more about this workshop and register here.

You are visiting the blog of landscape photographer Michael E. Gordon. For additional photos and information, please visit his website or follow him on Facebook and Instagram.

Photo: Narrowleaf Yucca (Yucca angustissima)

Narrowleaf Yucca

I recently concluded my last workshop of the season in Moab, Utah (Terrific Trio with friends and leaders Guy Tal and Bruce Hucko) and am happy to have come home with a new photograph for my desert botanicals collection. I gave a presentation during the workshop whereby I discussed portfolio development and my own methods of having several working projects under simultaneous development. During a brief off-road stop following the workshop, I spotted this yucca under sizzling midday light; not the ideal time for photography. I used my standard combination of modern tools and vintage aesthetics to make the photograph. The background is in full sun and provides a pleasing backdrop for the diffused light foreground.

Advice for photographers: always carry a diffuser.

You are visiting the blog of landscape photographer Michael E. Gordon. For additional photos and information, please visit his website or follow him on Facebook and Instagram.

The Art of Saying

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The art of seeing has long been co-opted by the photographic community but its first use was likely Aldous Huxley’s unrelated 1942 book. We use this phrase to describe our own photography; that we possess some sort of gift, that our art is the ability to see and capture. I propose an end to this nonsense.

Art arises from artists who have good stories to tell about their subjects. Good composition is mere training and repetition, as evidenced by the many wonderful smartphone images I’ve seen by non-photographers and non-artists. A traditional operating mode for nature and landscape photographers is to find something beautiful; to use a wide angle lens; to stick something large, unrelated, and often obtrusive in the foreground and to keep the fingers crossed for an “epic” sky (apps can help you determine this but they can’t help you make art).  But when photographs lack a backstory and/or deeper interest (which admittedly may vary greatly depending upon the viewing audience) the most likely reply from viewers will be a terse “that’s pretty” (a death knell for the artist, a potentially positive outcome for the camera operator).

As an artist, I’m still trying to find my voice after more than twenty years of working at it. I’m still in an “entry level” position. “Overnight success” has proved apocryphal; artist is for the long-haul. If you love what you do and have a story to tell, what’s the rush? It takes years to understand what you need to and want to say and to learn how to say it. There is no competition despite the apparent F.O.M.O epidemic. Good cameras and software and a large social media following will not ensure artistry or success. Having good ideas that are worth expressing is probably a better path to a long, artistic career.

You are visiting the blog of landscape photographer Michael E. Gordon. For additional photos and information, please visit his website or follow him on Facebook and Instagram.

Starry Nights

_DSC5492Most contemporary nature and landscape photographers are obsessed with sharpness. I like to see how far I can push the blur.
This is Sweetbush (Bebbia juncea), long after the flowers have gone to seed and probably long after most photographers would consider making a photograph of them. It’s a large aromatic shrub in the Daisy family that grows in desert washes and provides a nice treat for Desert Bighorn Sheep. I used a soft-focus portrait lens wide open (big aperture) and focused only on one flower.

 

You are visiting the blog of landscape photographer Michael E. Gordon. For additional photos and information, please visit his website or follow him on Facebook and Instagram.

Desert Candles (Caulanthus inflatus)

Of all the arts, I believe that photography – specifically nature photography – is the one that encourages the highest levels of observation, awareness, sensitivity, and curiosity. Non-photographic artists can invent their subject matter and works. Photographers need to find theirs. We have to be intimately attuned with our surroundings and subjects and aware of the many photographic possibilities in order to make great images come to life. Such photographs never happen by accident or luck (although the latter remains a constant point of derision for our medium). Combine the love of photography with a love and awe for desert, botany, light, and life, and you’ll find someone who is willing to wait for hours to spend an entire afternoon photographing an odd patch of desert plants.

The funky-cool and not-so-common Desert Candles (Caulanthus inflatus) flickered for my attention one recent afternoon on the Mojave Desert. This California endemic – found only here – arises only after a good rainy season. And man, did we have one. In the Brassicaceae family, they may look like asparagus but are related to cruciferous vegetables such as cabbage, kale, cauliflower, and broccoli. I arrived at this incredibly unique garden under the hot light of midday but these flaming candles told me to stay until the light ran out.

There were no tulips here but still I tip-toed through the Candles and Fiddlenecks (Amsinckia tessellate). One can easily make such photographs without injuring, killing, or ripping wildflowers from their beds to impress a social media audience. It’s not really hard to do and requires no special skills or talents. You just need to care and recognize that your wants should never outweigh the needs of other living things. I treat my own garden no differently. What sort of person would destroy a wild one?

Wildflowers matter. Perhaps not to you, but they matter to every bee, moth, and butterfly that pollinates and depends upon them for their existence. Wildflowers are living things that bring life and joy to all who utilize and love them. Crushed wildflowers cannot go to seed. Less seed means a smaller seed bank. A smaller seed bank means less potential for future “super blooms”.

Should you visit any wildflower fields this spring, please be a good steward for the flowers and for our shared planet by carefully tip-toeing through them. Leave no trace. Leave it better than you found it. Give a damn. Thank you!

You are visiting the blog of landscape photographer Michael E. Gordon. For additional photos and information, please visit his website or follow him on Facebook and Instagram.