Presentations & Workshops

_DSC9361-2I will be presenting Death Valley National Park: Magnitude and Mystery to the Lancaster Photography Association (Lancaster, California) on Tuesday, August 20th, 2019. The presentation includes nearly 200 photographs and a wealth of information about the Park’s natural and human history. The meeting is from 6-8pm and is FREE and OPEN to the public. Come on out!

My forthcoming Death Valley autumn/winter workshop season is filling up quickly. Seats remain open in the two following workshops:…/death-valley-national-park-with-mic…/
(beginner/intermediate skills)…/visionary-death-va…
(with Guy Tal; a cerebral and non-technical workshop). We’ve moved this annual workshop earlier in the season to take better advantage of late winter storms and light.

I hope to see you soon in Lancaster or Death Valley!

You are visiting the blog of landscape photographer Michael E. Gordon. For additional photos and information, please visit his website or follow him on Facebook and Instagram.

The 2017 Moab Photography Symposium

MPSIt is an honor to be invited to present at the 2017 Moab Photography Symposium! A first in its history, the 2017 MPS will feature an ALL-BLACK-AND-WHITE theme with presentations and workshops intended to refine your vision and process and/or to help guide you down the achromatic artistic path. I am excited to share the stage and field time with photographic luminaries Bruce Barnbaum, Huntington Witherill, Jeff Foott, Guy Tal, Chuck Kimmerle, Colleen Miniuk-Sperry, Judith Zimmerman, and leader/MPS organizer Bruce Hucko.  And we’re in Moab!  The surrounding world-renowned redrock landscape provides a host of diverse opportunities to learn and practice new skills, techniques, and to engage in photography with other great people like you. All presenters are open and accessible sources of information who truly enjoy sharing their passion for photography. I hope you will consider joining us for the 2017 Moab Photography Symposium!

You are visiting the blog of fine art landscape photographer Michael E. Gordon. For information and photographs, please visit his official website. You can also find Michael on Facebook.

On Exhibition: Nature LA: Off the Beaten Path


I’m excited to announce my upcoming exhibition at the G2 Gallery in Los Angeles: Nature LA: Off The Beaten Path. The opening reception takes place Saturday, October 3rd from 6:3o-9:oo pm and is concurrent with the opening of G2’s Off The Beaten Path: Views from Yosemite autumn exhibition (featuring Alan Ross, Art Wolfe, Clyde Butcher, Michael Frye, and approximately 30 additional photographers!). Both exhibitions hang through November 15.

My exhibit will feature fourteen (14) medium to large prints of retrospective photographs made throughout Yosemite country over the last decade or so (The Valley, Tuolumne Meadows, High Country, and beyond). I am especially thrilled with gallery director’s selections, all of which are obscure, abstract, or simply unrecognizable as Yosemite (“off the beaten path“). Four of the fourteen images are seen at left.

I hope you will consider joining us at the opening reception on October 3 at the G2 Gallery in Los Angeles for a beautiful night of Yosemite off the beaten path. A $10 admission fee benefits the work of The Yosemite Conservancy. I hope to see you there!


You are visiting the blog of fine art landscape photographer Michael E. Gordon. For additional photos and information, please visit his official website. You can also find Michael on TwitterFacebook, and Google+.

Art Festivals: Alternative Exhibition Opportunities for the [Fine Art] Photographer

My spread at Art Under the Umbrellas. La Quinta, California

My spread at Art Under the Umbrellas. La Quinta, California

This article was written for photographers (and other artists) who seek exhibition and sales opportunities beyond the conventional art gallery model. If you are not a photographer/artist; if you would not consider yourself a “people person”; and/or you have no desire to meet, talk with, and sell directly to potential patrons of your work, this article is probably not for you. Some background in sales and customer service would generally be considered helpful in these environments.

This article is not intended as an exhaustive treatise on how to make, curate, print, finish, exhibit, and sell your work (there are links to good resources later in this article), although it does assume that its readers have had some previous experience with all of the above. I cannot recommend that you start applying to Art Festivals without having at least some of this experience – your bank account and pride may be harmed.

This article addresses only juried Art Festivals (or “Fine Art Festivals” or “art shows”); it does not discuss nor offer advice on showing your work in art & craft shows, craft shows, restaurants, coffee shops, or conventional art galleries. With art festivals, your work should be strong and well presented in order to make it past the jury and onto the festival grounds.

Some background….I have been showing my work in a handful of art festivals in southern California for approximately six years. Some artists travel “the circuit” and follow top-selling festivals around the U.S., often exhibiting in upward of 20-30 festivals per year. That’s not a pace or style I can handle, so I choose to exhibit in only a handful of festivals where I think my work fits best (and where I have had previous successes). I generally exhibit at a festival 1-2 times before ruling it out as not-the-best-market-for-my-work (some markets/venues may be a better fit for your work than others). As an example, if it’s a festival on or near the coast, my black and white desert landscape photography is not likely to perform near as well as colorful seascapes. Consider the location and market when choosing festivals and curating your work for them.

I enjoy showing in fine art festivals because hundreds if not thousands of eyes land on my work during 1-3 day shows. The venues are often quite beautiful and the weather is often radiant (show dates are always carefully chosen!). Good live music, beautiful weather, and superb art make sales very possible.

I greatly enjoy meeting and talking with potential patrons about my art. After the show closes, I often deliver directly to patron homes works they have purchased at the festival. My photographs are routinely placed in stunning showcase homes, and they are often hung alongside other beautiful works of non-photographic art or sculptures – seeing this makes this particular photographic artist rather proud.

What is an Art Festival or Fine Art Festival?
Art Festivals take place across the United States and abroad throughout most of the year. These are typically “pop-up” events which take place in parks, sporting venues, city streets, or anywhere that offers good weather and is conducive to hosting thousands of patrons and 100-200+ artists, and their displays, representing various media (oils/acrylics; watercolor; sculpture; photography; textiles; et al). These are festive and jovial events which typically offer many superb artists, live music, food/beverage, and a wonderful atmosphere conducive to studying, talking about, and selling art. While many festivals are free, I prefer to show my work in festivals with entrance fees (entrance fees discourage lookie-loo’s). Art festivals are often attended by patrons as a tradition; many return each year with distinct plans to purchase something to take home with them. If they have seen your work before and like it – and they return each year – you may eventually make a sale to a patron of tradition. Many patrons arrive with measurements and distinct ideas about the kind of color/form they want – they have a specific space to fill and they have come to buy something!

I show my work directly in markets where I think the fit is best – for example, exhibiting desert landscape photography in desert communities. Artists typically pay a low application fee, a moderate booth/space fee, and commissions on sales (all proceeds from some festivals go directly to charities) are sometimes non-existent and/or significantly lower than the traditional gallery model (typically 50% commission). You get to keep much more of your own money than in a traditional 50/50 split, but you also invest a lot more effort to get your work sold (and why wouldn’t you be interested in selling your work?).

Why would I show my work at Art Festivals? What’s wrong with conventional art galleries?
If you’re like many (most?) nature/landscape photographers, your submissions to brick and mortar galleries in recent years have likely resulted only in rejection notices. All of the galleries that once represented my work did not make it through America’s Great Recession. Further, for many artists, having gallery representation is often better for the Curriculum Vitae than it is for actual sales. Many galleries that exist today still struggle with sales and they typically only serve an elite market who potentially have no interest in or connection to nature and landscape photography.

It was once suggested to me that during an ordinary four week gallery exhibition, 80% or better of the total exhibition sales typically occurred during the opening reception (a few hours in one night). If you have recently attended an exhibition opening, you’d likely concur that only 200-300 persons (other artists and photographers?) turned out [for the wine & cheese?]. Have you ever walked into a gallery at 4:30pm on a Wednesday? I’ll bet that no one other than the sales rep or gallery owner was likely present. During any art festival, (permitting for typical ebb and flow in traffic) there is a fairly constant stream of bodies throughout the duration of the festival. Again, this typically amounts to hundreds if not thousands of eyes seeing your work during the entire show – that’s a lot of eyes in a short span of time.

Don’t art festivals require a lot of commitment and cost?
It’s assumed that you’re still reading this because you want to sell your work. Who else is better qualified to talk about and sell it than you? Starting out with art festivals is not unlike starting out with digital photography. You’ll have some large upfront costs (printing; finishing; establishing inventory; buying your booth/panels and all related exhibition materials [truck, cargo trailer; etc.]), a not-so-terrible learning curve, and then lots of refinement once you learn the festival ropes, your tools, and your goals. Once you’ve sunk your upfront costs, you’ll only be paying for festival application fees (a very minor expense), booth/space fees, and costs related to travel to and from the event.

Don’t some artists return home from festivals empty handed?
Not every artist makes a sale at every festival – you roll the dice and take your chances. You can lose hundreds of dollars on one festival and make thousands in profits on the very next – there is often little rhyme or reason. Just remember that you stand NO chance of sales if your work is not being seen. Festivals provide an innumerable number of eyes for your work. How well it actually sells depends upon the content and presentation and how well it is received by that particular festival audience on that day (and upon how engaging your discourse is with patrons!).

What’s wrong with “Craft Shows” or “Art & Craft Shows”?
Potentially nothing. However, most craft shows are not juried; there are typically no entrance fees; and you could find yourself sandwiched between a kettle corn booth, Popsicle stick art, and a crafty doily vendor only to be left wondering why you cannot sell a $50 print. Because I make and sell art, “craft shows” are not an avenue I desire to set my shop upon. You will determine what works best for you and your work.

How do I find Art Festivals?
You can likely already name a few art festivals that take place near you, but I’d recommend an exhaustive study so that you can hone in on the very best (or the very best market for you and your work). Google to find festivals near you or check out,, or I recommend that your first check out a show as a patron to get a feel for the venue and crowd. Take the time to talk with a few artists (only when they are not talking with potential buyers!) to see what knowledge they might be willing to offer you regarding the show. There is no right or wrong show; there is only your gut feeling and how that audience will respond to your work once you put it in front of them. You ultimately have to determine which shows are best for you in the context of your own art and abilities.

How much inventory will I need?
Typical booth sizes at most festivals are either 10×10’ or 12×12’. Artists can also buy double or larger booth spreads (which obviously increases your total booth fees). I recommend that you start small (one booth) and grow as needed. Unless you are selling doilies or kettle corn, you’ll probably require much less inventory than you think. I typically hang about 14-16 finished pieces of varying sizes in a 12×12’ booth and do not keep excess inventory on hand. I show a few large pieces and numerous medium-sized pieces – nothing small. You will be able to fit many more pieces into your booth if you choose to show smaller work in a more tightly packed space.

What about booth aesthetics/presentation?
Consider your presentation well and show only your best work and/or work that has previously performed well. I try to create an inviting environment that draws patrons in, attempting to create a gallery-like atmosphere instead of pawn-shop. In other words, a clean and tight presentation with no clutter, good breathing space on the walls, and a well-curated selection of art. Consider showing your work in themes/collections rather than a hodge-podge assortment of your Best Of.

Where do I learn about tents/canopies, walls/panels, and other related exhibition materials?
Most artists use tents/canopies from Flourish (I highly recommend the TrimLine Canopy!), Light-Dome, or some sort of EZ-Up style pop-up tent. If you will be doing shows in inclement weather and/or windy environments, I highly recommend you stick with a heavier-duty tent/canopy. The better your setup, the less catastrophic the outcome when a ravaging windstorm lands unexpectedly on the venue (check out this video!!).

ProPanels is the typical wall of choice. You can also find used tents and walls at often significant discounts on the Pro Panels Trading Post.

What other art festival education resources can you recommend?
Printmaking artist Maria Arango has written a wonderfully helpful guide for exhibiting artists (published 2007) entitled Art Festival Guide – The Artist’s Guide to Selling in Art Festivals. Whatever it is, if I excluded it in this article she likely has it covered in her book. I cannot recommend this book enough!

Bruce Baker offers helpful CD’s: “Your Slides and the Jury”, “Booth Design & Merchandising for Craft and Trade Shows”, and “Dynamic Sales and Customer Service Techniques”. I recommend that you buy the entire three CD set. If you are not a born marketer or salesperson, you will find Baker’s CD’s immensely helpful to selling your work.

The Life As An Itinerant Artist blog by Jim Parker offers helpful ideas from an artist that does a lot of shows.

I have not watched it, but this one hour and 45 minute YouTube video (How To Successfully Sell Pictures at Art Festivals and Fairs) from B&H Photo looks helpful.

The Art Show Photo Facebook page hosted by Larry Berman may be helpful to you.

I hope that this article was helpful! Please let me know if I’ve excluded anything of importance. I wish you the very best with exhibiting your own work in fine art festivals!

I’ll be exhibiting next at the Beverly Hills Art Show on May 16-17, 2015 (#201). Come on out and say hello!

You are visiting the blog of fine art landscape photographer Michael E. Gordon. For additional photos and information, please visit his official website. You can also find Michael on FacebookGoogle+, and  Twitter.

The 2015 Moab Photography Symposium

MPSI am thrilled to announce that I’ve been invited to present and teach at the 2015 Moab Photography Symposium! This year’s schedule also includes presentations from Charles CramerGuy TalChuck KimmerleBruce Hucko, and Colleen Miniuk-Sperry (all friends, all wonderful artists). Two-hour breakout sessions and afternoon field workshops are also offered by each presenter.

I attended my first digital printing workshop with Charles Cramer way back in 2002. I would have never believed that thirteen years later I would be presenting and teaching in the same forum as Charlie! I first met and camped with Symposium director Bruce Hucko in October 2014 in Utah’s Grand Staircase-Escalante. Bruce saw a kindred (and perhaps slightly crazy) spirit with my unabashed enthusiasm for tequila and wildlands (not necessarily in that order). As with where all other good things in life happen, around the campfire (not proverbial) I was asked to present. The Symposium will be a thrill for me both as presenter and attendee.

Find inspiration, fresh ideas, and new friends at the 12th annual Moab Photography Symposium this April 30-May 3! This popular event fills fast and sells out quickly. As of this moment, there are only six slots remaining (four on Friday, two on Saturday) for my half-day Field Sessions. I hope you will join us in Moab this spring for an extraordinary event! Learn More Now

You are visiting the blog of fine art landscape photographer Michael E. Gordon. For additional photos and information, please visit his official website. You can also find Michael on FacebookGoogle+, and  Twitter.

On Exhibit: The Joshua Tree – Mojave National Preserve

I’m thrilled to announce my upcoming exhibition at the Mojave National Preserve, here in California’s Eastern Mojave Desert. This solo exhibition features my series The Joshua Tree, and opens on November 5, 2011 and runs through February 5, 2012. I’ll be showing approximately fifteen framed photographs in the Desert Light Gallery at the historic Kelso Depot, and invite you to the opening reception on Saturday November 5, from 2-4pm.

The Mojave National Preserve is vast, and at 1.6 million acres is the third largest unit of the National Park System in the contiguous United States. Singing sand dunes, volcanic cinder cones, Joshua tree forests, and seasonal carpets of wildflowers are all found in this incredibly spacious and under-visited park (shhhh!). A number of the Joshua tree photographs in the exhibition were made in the Preserve, which is also home to the largest Joshua tree forest known to man (Cima Dome).

Because this is a remote park with no nearby accommodations (Baker and Needles are nearest but may not suit everyone’s taste), I encourage you to stay, camp, and enjoy the Preserve for the entire weekend (make it longer!). [UPDATED Oct 3] If you’d like to camp, I’ll provide directions to the developed campgrounds and/or suggest premier open desert camping locations within the Preserve (the beauty of the CA desert: you can camp virtually anywhere!).

Please join me at the Kelso Depot on November 5 from 2-4pm – I hope to see you there!

You are visiting the blog of fine art landscape photographer Michael E. Gordon. For additional photos and information, please visit his official website.

Upcoming Exhibitions – June 2011

There will be two opportunities during the month of June to see my photographs on exhibit.

Monochromatic Moments will run at Gallery Expo in Long Beach, California, from June 3 through 30, 2011, and features three of my b/w white works (1|2|3). Gallery Expo is located at 4321 Atlantic Avenue in Bixby Knolls (Long Beach), California. The artist reception takes place June 18 from 6-8 pm in the gallery, although I will not be attendance as I’ll be exhibiting at the La Jolla Festival of the Arts (see below).

You’ll also find me exhibiting at the 25th Annual La Jolla Festival of the Arts June 18-19, 2011, in beautiful La Jolla, California. Here you’ll find more than 200 fine artists from across the country exhibiting their creations out of doors and under the sun on Warren Field at University of California San Diego. I’ll be exhibiting upwards of twenty framed pieces in my outdoor gallery at the Festival, and will also have a wide selection available of unframed prints, greeting cards, and more. This is my second year at this beautiful festival, and I hope you’ll drop by to say hello and to help make the weekend wonderful. See you there!

You are visiting the blog of fine art landscape photographer Michael E. Gordon. For additional photos and information, please visit his official website.

My Art Helps Japan

Coldwell Banker Commercial Real Estate Solutions in Victorville, California (Mojave Desert) invited me to show my work last Thursday (April 28) at their annual “Taste of Napa” fundraiser. Each year they select a different beneficiary, and this year’s event raised funds to benefit Rotary-Shelter Box for families affected by the recent tragedies in Japan. I’m very pleased that announce that I’ll be donating approximately $400 of Thursday evening’s sales to Rotary-Shelter Box.

I’d like to sincerely thank Jason and Chris Lamoreaux of Coldwell Banker Commercial Real Estate Solutions in Victorville for inviting me to present a solo showing of my art and for providing an opportunity for me to give back and to help provide aid for others in serious need. Jason and Chris are great people who take time off of their hectic schedules and workload to put together this well-attended event in order to help others in need – they are to be commended. Thank you, Jason and Chris!

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.

“Large Format Printing- Big Images, Big Opportunities”

I’ll be co-presenting at the “Large Format Printing- Big Images, Big Opportunities” seminar at A&I Hollywood on April 9, 4-7pm. Admission is free! Come find out what kind of images work in large format; tips for printing on canvas and the new substrates available; and how you can break into the market for large format work. This seminar is presented by A&I and MOPLA (Month of Photography LA). Please click here for more information (scroll down to the 4th listed event). I hope to see you there!

I had an enjoyable time at A&I Hollywood on Saturday afternoon presenting “Large Format Printing- Big Images, Big Opportunities” with moderator Rex Weiner and panelists Olivier Pojman and Baret Lepejian (A&I owner). A&I is the first lab on the West Coast to own and operate the new HP Scitex FB500, which is a 64″ wide printer (no print length limitations!) that can print on virtually any surface up to 2.5″ thick (photo: my test print coming off the Scitex). The substrate possibilities for your images are now almost endless: metals (aluminum, copper [the copper print I saw was incredible]); wood; fiber; glass; plastic; you name it! Olivier and I discussed the equipment we use to make our photographs as well as how we make and finish our respective prints. For those who have requested a summary of the seminar, here are a few of the most important pointers I provided:

    Good input is critical to good output: If you intend to make large prints and you’re not working with large format cameras or the highest resolution digital capture available, I recommend reverse-engineering your process. Determine how much frame stitching is necessary to reach your acceptable level of detail and sharpness at any given print size.

    Acceptable level of detail and sharpness: This can vary greatly for each of us. You ultimately need to run tests to find out just how big you can go while still retaining a level of detail and sharpness that you find acceptable. Due to the specifics of image type; lens selection; resolution; and other factors, there is no easy correlation between megapixels and print size: every image is different, and I always recommend testing specific to the image at hand.

    Print size: Just because you can print 64″ wide (by any length!) doesn’t mean that you should! Some of my images look great six feet wide, and some look best six inches wide. The only way to determine what may be the ideal size for your image is to test it!

    How to test for resoution/sharpness: Let’s assume I want to try a 50″ wide print of Image X. I’ll prepare the file for the actual output size and printer resolution (example: 50″ wide at 300 dpi), but will then make multiple 8×10″ sectional crops from detail-rich and important areas. I then order proofs of these 8×10″ prints to evaluate acceptable resolution and sharpness. These proofs must be made on the material you intend to print on! An 8×10″ proof on silver halide photo paper is not an adequate representation of an 8×10″ print on canvas!

    How to choose a substrate: Whether printing on fine art rag or a 1/16″ thick sheet of copper, there is no substitute for running tests (man, more testing?!) to determine what materials best suit your work. I’ve done a lot of testing over the years to determine what I like best for my photographs, and would recommend the same for anyone.

Thanks to those who came out to A&I on Saturday, and sorry to those who were unable to join us. A special thanks to Baret Lepejian and Rex Weiner for asking me to be a part of this panel!

If you’re looking to print on alternative materials and/or make very large prints, I highly recommend that you check out A&I’s new Scitex FB500 printer.

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.

Landscape Mastery on Fine Art Photography Weekly

Fine Art Photography Weekly

Fine Art Photography Weekly

As mentioned on my January 19 blog post, I was invited on January 18 to join the incredible nature/landscape photographer Darwin Wiggett and host Peter Urban LIVE on SmibsTV Fine Art Photography Weekly. Although it’s been nearly two months since our broadcast, our episode is now in the SmibsTV archives and can be watched anytime at your leisure. I had a great time walking with Peter and Darwin, and hope to join Fine Art Photography Weekly for another future broadcast. Download our episode (#26) here. Enjoy!

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.