My article The Sum of Influence with eight photographs appears in the November 2020 issue of Medium Format magazine. It’s a genuine thrill to share the pages with some of the top names in international landscape photography. Thank you, Medium Format!
I am pleased to announce my second article (Photography is Easy. Art is Hard) and nine photographs in the July 2020 edition of Medium Format Magazine, the #1 magazine dedicated to Medium and Large Format photography enthusiasts. This monthly magazine is well-written, elegantly produced, and contains many great photographs from all genres in more than 100+ pages in every issue. Thank you for looking.
I am pleased to have an article and eight photographs in the May 2020 edition of Medium Format Magazine, the #1 magazine dedicated to Medium and Large Format photography enthusiasts. This monthly magazine is very well-written, elegantly presented, and contains many great photographs from all genres in more than 100+ pages in every issue. Furthermore, Medium Format has graciously provided me with my own column – The Inner Landscape – where I will share thoughts and personal process from the creative and artistic side of the medium. I look forward to seeing you there!
It was more than ten long years since my old website first rolled out. In 2018, 58% of total website visits came via mobile devices and it was time for my site to join the 21st century. The old website featured considerably smaller images and was not mobile device compliant, while the new one features an all-new graphical interface as well as responsive and much larger images (reponsive = images that scale properly to any device for maximum resolution and viewing enjoyment). Hundreds of photographs have been reworked for the new site. More work remains to be done and new bodies of work are forthcoming but I am thrilled with the new look and would love to hear what you think about it. Thank you for viewing!
Photographer notes: consider WideRange Galleries if you need a custom website. I’ve been working with Jack Brauer and WideRange for more than a decade and cannot recommend their services enough.
I will be presenting Death Valley National Park: Magnitude and Mystery to the Lancaster Photography Association (Lancaster, California) on Tuesday, August 20th, 2019. The presentation includes nearly 200 photographs and a wealth of information about the Park’s natural and human history. The meeting is from 6-8pm and is FREE and OPEN to the public. Come on out!
My forthcoming Death Valley autumn/winter workshop season is filling up quickly. Seats remain open in the two following workshops:
(with Guy Tal; a cerebral and non-technical workshop). We’ve moved this annual workshop earlier in the season to take better advantage of late winter storms and light.
I hope to see you soon in Lancaster or Death Valley!
I offer my sincere thanks to Susan Burnstine for writing about my work in her monthly column and featuring four of my images in the August 2019 issue (#231) of Black + White Photography magazine (U.K.). The full print magazine is available at Barnes & Noble and at international newsstands. A digital version can be downloaded here. You can also click here to read this article only (content provided COURTESY OF BLACK & WHITE PHOTOGRAPHY MAGAZINE (UK), August issue #231).
After reading the article, please check out Susan’s own critically-acclaimed work. She is one of the few photographers today avidly pursuing alternative processes to create an idiosyncratic and deeply personal visual landscape. I’ve long admired her unique style and process and dream-like images. Thank you, Susan!
You are visiting the blog of landscape photographer Michael E. Gordon. For additional photos and information, please visit his website or follow him on Facebook and Instagram.
I am pleased to announce my next long-awaited Introduction to Large Format Photography Workshop: November 15-17, 2019, taking place in the incomparable Death Valley National Park. This workshop is limited to only six photographers – everyone will receive lots of hands-on instruction and attention. NO previous large format experience is required and loaner gear may be available for those who do not already own. Learn more about this workshop and register here.
I am excited to tell you about my forthcoming exhibition. American Desert will feature twenty-five of my photographs from my extensive works on the Mojave and Sonoran Deserts. The show will feature a balanced blend of my botanical portraits of unique desert flora along with bigger views of these unparalleled and sublime landscapes. The Arena (attached here), made in Death Valley National Park, will be included.
This exhibition takes place at the Viewpoint Photographic Art Center in Sacramento, California, and will be on display from Tuesday, March 5 to Saturday, April 6, 2019. I’m very pleased to share this space with the beautiful works of Kerik Kouklis. The Artist Reception is open to the public on Friday, March 8, 2019 from 6:00 pm to 8:30 pm. I will be present and hope to meet you there!
“Gravitational Waves” opens SHOTS Issue No. 140 (“Forces of Nature”) with a beautiful double-page spread. Thank you, SHOTS magazine! Hang a print on your wall, own it and 15 other great images in this book, or enjoy it on your smart phone or tablet via digital download. Thank you for your purchase.
Photographers and those who enjoy philosophical meanders, please read on….
I’ve long been looking for an opportunity to discuss the language and semantics photographers use in the pursuit of their art and craft. It’s not my magazine and I have no stake in it, but I’m not fond of the name SHOTS. Since it’s inception, photography has struggled as an art form (yes, art form) and has always played second fiddle to painting; a poor man’s (or presumably less creative man’s) means of pursuing art (if you allow me to call it this). The belief being that as a mechanical object with a button to push – like using a smart phone – there could surely be no art or craft involved: it’s just a snapshot of whatever fell before the camera. But creative photographers and those who appreciate creative photographic art know a far different reality. So let’s take every opportunity to use good and proper language to educate our viewers that what we do is serious art.
* My creative pursuit involves a communion with my subject(s); there is no conquest and I “take” nothing.
* The photographs I make require contemplation, thoughtfulness, and good composition. The very same is true of painters and painting.
* Painters don’t throw or blast paint at their canvases, I don’t click or snap shots.
* I make photographs *
The words we use most definitely matter.
On January 23, 2018, we so sadly said goodbye to our sweet girl, Mojave, as she took her last breath in my arms. We have been devastated by her passing. The days have been long and the nights short ever since. If you knew her, you loved her – she left you with no other option. I was forever changed by her more than thirteen years ago when I found her wandering in the Mojave Desert, another canine victim of a lousy human. Another man’s trash was this man’s treasure.
For more than thirteen years my girl was at my side. It didn’t matter where or what we were doing, she was happiest just being with mom and dad. We called ourselves The Unit – Shauna, me, and Mojave. She made our lives happy and complete. And we find ourselves struggling to move forward without her.
People like us are not easy to console. To be sure, there are millions of dogs who need adoption and homes. And we provide the best home and life imaginable for our animals. But there was only one Mojave. She cannot be replaced. Her spirit will never die and there will not be a single day ahead where I don’t shed tears longing to hold her tight and kiss her again.
I love you forever, my sweet girl. I’ll see you again on the other side of the Rainbow Bridge.