I don’t need an Xpan to make panoramics, and I don’t need a 501CM to make squares. For me the real beauty of using a large format view camera is that the image is conceived in my mind and not restrained by film size; by viewfinder shape or coverage; or by the format’s aspect ratio. Unlike medium and small format cameras (including D-SLR’s), it is nearly impossible to hoist a view camera to the eye to frame an image. Further, because the large format image is rendered upside down and laterally reversed on the ground glass (the image is as ones eyes perceive it before the complex brain corrects it), the ground glass view is difficult to reconcile for all but the most experienced users. This very nature of the format requires the photographer to learn how to see and frame exclusive of the viewfinder. For some this is a serious challenge and shortcoming of the format; for others, like myself, it is pure liberation. My photographs are bound only by the limits of my imagination and never by any constraints imposed upon me by a camera or tradition. During any given week, I view a great number of photographs that I believe would be strengthened by a simple crop. Although most photographers shoot with the 1:1.5 aspect ratio of D-SLR’s, this does not mean that one is required to visualize or process/print the full 1:1.5 frame. Even more, too many photographers are caught up with the issue of pre-cut mats being available only in this size and pre-made frames being available only in that size – stop it! Aren’t your photographs considerably more important than their finishing? If your photograph is stronger by cropping it square, crop it square! It may cost more to finish the print by doing so, but aren’t your photographs worth it? You’ll find in this article three of my photographs. All originated from 1:1.25 negatives (or 4×5), but take note that none were finished with that aspect ratio. All three images and their framing were visualized without a viewfinder, and I deliberately framed the three important edges and in post-production cropped away the remaining unwanted edge (regardless of the final print’s inability to fit off-the-shelf mats or frames).
“The camera is an instrument that teaches people how to see without a camera“. Dorothea Lange
If you’re not already seeing and framing your images without the assistance of your camera, here’s a challenge for you: Next time you think you’ve got a photograph, resist the immediate urge to set up and start firing. Consider this pre-exposure editing. Set your camera off to the side and become one with your subject. Study it carefully and quietly, and determine your framing and edges before grabbing your camera. Take as much time as you need; rarely are great photographs made in haste. Once you’ve gotten this figured out, then get out your camera and capture the image that you’ve already created in your mind (and crop at will).
Free your mind and your camera will follow.
You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.