Feeds:
Posts
Comments

Desert MagazineDesert Magazine was a monthly regional publication based in Palm Desert, California (near Palm Springs) and ran from 1937 to 1985. This eclectic magazine focused on the desert country of the Southwestern United States and Northwestern Mexico, and covered such subjects as travel, history, mining, geology, human interest, wildlife, river running, exploration, and prospecting. It ran many great historical stories, and did features on places that many of us still visit today. I have enjoyed a number of historic Desert Magazine back issues, and now, thanks to Scribd.com user “dm1937″, most if not all of the back issues have been scanned and are available online.

This is virtually mandatory viewing for photographers and explorers of the southwest, and especially for lovers of California’s vast deserts. Thank you, dm1937, for making these available!

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.

Add to FacebookAdd to DiggAdd to Del.icio.usAdd to StumbleuponAdd to RedditAdd to BlinklistAdd to TwitterAdd to TechnoratiAdd to Yahoo BuzzAdd to Newsvine

You can make more than one selection if it applies to you. Thank you for participating in this survey!

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.

Add to FacebookAdd to DiggAdd to Del.icio.usAdd to StumbleuponAdd to RedditAdd to BlinklistAdd to TwitterAdd to TechnoratiAdd to Yahoo BuzzAdd to Newsvine

I invite you to the 24th Annual Southwest Arts Festival in Indio, California (just east of Palm Springs). This is one of the region’s most acclaimed fine art festivals, where myself and many other fine artists will be sharing their work with more than 15,000 guests over a three day period. I’ll be exhibiting upwards of twenty large framed pieces, including a few new photographs that will be exhibited for the very first time. I’d love it if you dropped by to say hello! You don’t need to be in the market for art to come and enjoy yourself: The Southwest Arts Festival features a wide selection of crafts, drawings, jewelry, paintings, photographs, printmaking, sculpture and textiles for every discriminating art enthusiast.

The festival opens to the public on Friday, January 29 at 10am, and closes on January 31 at 5:30pm. It takes place at the Empire Polo Grounds (the same location as the renowned Coachella Valley Music Festival). For more information, click the image at left or visit the Southwest Arts Festival website. I hope to see you there!

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.

Add to FacebookAdd to DiggAdd to Del.icio.usAdd to StumbleuponAdd to RedditAdd to BlinklistAdd to TwitterAdd to TechnoratiAdd to Yahoo BuzzAdd to Newsvine

Large Format Photographer in the Alabama Hills

My first private workshop of 2010 took place last weekend (January 9-10) in the remarkable Alabama Hills and Owens Valley, California. David, Sue, and Erik Haake (David is the Program Director for the West Los Angeles Group of the Sierra Club) hired me for a day of Large Format photography instruction with Erik on Saturday in the Alabama Hills (Erik is seen in the photo at left shooting sunrise in the Alabama Hills), and on Sunday we toured a few special locations in and around the Owens Valley (concluding our tour at an incredible and hidden petroglyph panel in the Volcanic Tablelands). David and Sue are avid birders, and although I can’t currently call myself an avid birder, it is something I have spent a fair amount of time doing in the past and I do have a fair number of species on my life list (even though I don’t keep a life list!). Incidentally, the scope of my guiding was altered last weekend, and according to Sue: “you were a wonderful birding guide to top it off.” Thanks, David, Sue, and Erik, for being wonderful clients!

I am currently have one scheduled 2010 group workshop and three more in the planning stages for this year:

    Introduction to Large Format Photography Workshop. February 13-14, 2010, Alabama Hills, Eastern Sierra (just outside Lone Pine, California). Limited to only 5 photographers; $349 per person. My teaching methods and techniques are direct and easy to comprehend, and I will successfully put you in full control of your camera. At the completion of this intensive two-day workshop, you will be able to efficiently and confidently compose, focus, and expose your own photographs. Click here for more information and to register for this workshop.

    March 6-7, 2010 California Desert Wildflower tour: Our “wet season” started wet (despite the name, it doesn’t always work this way!) and although we had a recent dry and warm spell, things are slated to turn again next week and the state of California should again get quite wet. This may bode well for spring wildflowers in the desert. But my intention is to only lead a tour (likely a one day driving tour) if I can *guarantee* good blooms at the best locations (desert wildflowers are wildly unpredictable). Only time will tell, and I’ll be updating this blog as things develop.

    October 2010 Eastern Sierra Autumn Color Tour: Fall color varies from year to year, but it’s always predictable enough to guarantee great photographs under incredible settings. I’m tentatively planning a three-day tour during the first week of October. The tour will range from Mono Lake in the north to the Ancient Bristlecone Pine Forest in the south.

    Nov-Dec 2010 Death Valley National Park Backcountry 4WD Workshop/Tour: We will spend about a week driving, hiking, and photographing locations that most photographers have no idea even exist! I have personally driven most of Death Valley National Park backcountry roads (including the most difficult and challenging) and have hiked and photographed locations well off the beaten track. Had enough of Zabriskie Point, Badwater, and the Mesquite Flat dunes? Come tour with me. Logistically speaking, unless I can locate and work with an authorized 4WD outfitter for Death Valley NP (I am currently at work on this), each client will need to provide their own 4WD and advanced driving experience. I’ll continue to update my blog as details develop.

If you have interest in any of these workshops/tours, please leave me a reply or shoot me an email.

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.

Add to FacebookAdd to DiggAdd to Del.icio.usAdd to StumbleuponAdd to RedditAdd to BlinklistAdd to TwitterAdd to TechnoratiAdd to Yahoo BuzzAdd to Newsvine

A couple of days ago I launched a new website for my custom printer/paper profiling business, Great Printer Profiles.com. In doing so, it occurred to me how many photographers still use “canned” printer/paper profiles provided by paper manufacturers free of charge. Some who use canned profiles don’t even have a calibrated display. Sure, canned profiles and an uncalibrated display won’t stop you from getting decent-looking prints out of your printer. But if you think you’re putting only your best work out there, only a custom profile built for YOUR paper and YOUR printer will do and you need to have a calibrated display and an entirely color-managed process. Now, this is starting off sounding like I’m pitching you my custom profile or other services, but wait – there’s more :)

I follow a number of online photography forums – some technical, some creative – but what consistently strikes through many of the forums is the number of ways in which photographers try to cut corners, hasten their process, or use inferior materials; mostly to save money somewhere along the way. I see many recommendations for low cost/poor quality mouldings and frames; recommendations for low-cost inkjet papers; low-cost non-archival framing materials; photographers who leave large format for digital due to the cost of film; etcetera. I like savings as much as the next guy, but if you’re promoting yourself as the best in your class and market yourself as a “fine art photographer” – I’m sorry, only the best will do.

Consumers and buyers are a savvy lot. They can easily tell good from inferior work, especially when the work is available for viewing side-by-side, and unless your market is high-volume low-dollar, your buyers and collectors expect better and more. When the “competition” amongst photographers for buyers and clients is at an all-time high, only your BEST can separate you from the herd.

Want to be professional and wow people? Want to charge and get more for your work? Don’t show or market anything less than your best photographs. Don’t cut corners. Don’t use canned profiles, cheap inkjet paper, cheap frames, and non-archival materials. When cost and convenience trump your quality, it’s your art that suffers for it. Make everything you do better than the way every other photographer does it. Only your very best will do.

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.

Add to FacebookAdd to DiggAdd to Del.icio.usAdd to StumbleuponAdd to RedditAdd to BlinklistAdd to TwitterAdd to TechnoratiAdd to Yahoo BuzzAdd to Newsvine

On December 21, 2009, California Senator Dianne Feinstein introduced The California Desert Protection Act of 2010. This is a significant piece of legislation, and will go a long way toward protecting our deserts from overuse and over-development. The legislation will create two new National Monuments, create new and expand existing federal Wilderness, and ultimately harness the development on our desert by renewable energy developers. I’m certainly pro-renewable energy, but believe there are much better places to install massive solar panel arrays than undeveloped (and wild) desert. And as usual, this legislation is creating massive polarization among the involved parties: those who see this as nothing but good, vs. those who see this is a “government land grab” and a “lockup” of our public lands. The hyperbole and conjecture are already running rampant in the opposition party.

Please support this important legislation!

For more information:
Legislation Text;
Proposed national monuments seek to protect desert beauty. The Desert Sun;
Campaign for the California Desert.

How can you support this Act? Mike Cipra, California Desert Program Manager of the National Parks Conservation Association recommends:
Right now, the best way that folks can support the act is to write to their Congressperson and let him or her know how important desert conservation is—for animals, for recreation, for photography, for scenic vistas, for ecosystems, for clean air, for plants, for us to take our loved ones and explore. And ultimately, please ask directly for the Congressperson to support Senator Feinstein’s proposal. This is a critical time for people to express their support.

“I don’t know who my congressperson is!” Easy! Click here to identify them and write them an email.

The attached photo is of an Ironwood tree at sunset (Olneya tesota) on December 31, 2009. In the distance are two of Southern California’s highest summits: Mt. San Jacinto (left, 10,804′) and Mt. San Gorgonio (right, 11,502′).

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.

Add to FacebookAdd to DiggAdd to Del.icio.usAdd to StumbleuponAdd to RedditAdd to BlinklistAdd to TwitterAdd to TechnoratiAdd to Yahoo BuzzAdd to Newsvine

The Burning Bush, Mecca Hills Wilderness

The Burning Bush

I spent the last day of 2009 and the first few days of 2010 exploring and hiking the desert region around the Salton Sea with my wife, Shauna, and our always present companion ‘Mojave‘. I dedicated this trip to Shauna’s enjoyment (she doesn’t get out nearly enough with me), so I decided that this would be a “tourist” trip for me and one where I would focus on Shauna instead of making photographs (she appreciates these gestures :) ). As a result, I did not practice much photography (digital only) but we had a great time exploring and being in awe of our beautiful desert.

The last day of 2009 found us running out of light in the Mecca Hills Wilderness, so we decided to camp for the night in one of the canyons. Like everyone else, we enjoyed the Blue Moon that rose as the decade was ending, and it felt like a joyful and fitting end to 2009 and a wonderful ushering in of 2010.

Sometime around 10:30 pm, as we enjoyed the warmth of our campfire, the glow of full moonlight on the desert landscape and the glow of our campfire on this desert shrub led me to my camera (D-SLR). Compared to working with a view camera (especially in the dark!), a D-SLR is incredibly easy to use and verify/correct exposure, and the image is complete as fast as it is conceived. I’ll be sharing a few more images from this trip over the next few posts.

I hope your 2010 is off to a beautiful start! Happy New Year!

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.

Add to FacebookAdd to DiggAdd to Del.icio.usAdd to StumbleuponAdd to RedditAdd to BlinklistAdd to TwitterAdd to TechnoratiAdd to Yahoo BuzzAdd to Newsvine

BetterScanning.com Variable Height Mounting Station

BetterScanning.com makes custom film holders for Agfa, Canon, Epson,and Microtek scanners. Specifically, film is mounted to the ANR glass (Anti- Newton Ring) of the Variable Height Mounting Station wet OR dry, and the position of the film/holder is perfectly fine-tuned to each individual scanner for optimized and highest quality scans. For comparison, my film is “snapped” into the stock Epson film holder supplied with my Epson V700, and the holder and scan quality are both marginal at best when compared to the BetterScanning product:

    * the Epson holder plastic flexes (allowing for less-than-perfectly-flat film while in the holder);
    * while in the Epson holder, the film is supported only at the edges, permitting the possibility of ‘gravity sag’;
    * the stock Epson V700 4×5″ film holder is simply NOT TUNED to the scanner’s sharpest focus.
    * the stock Epson 4×5″ film holder CROPS all four sides of your negs/chromes (including image area!), as the film edges are covered by the “frame” of the Epson holder. If you’re like me and compose your images “to the edges” in-camera, then you don’t want a film holder to trim your image area! Let me make this cropping choice, Epson!

Please note that this is not an exhaustive review, and I’m not going to provide any scientific or numerical data beyond the visual: the scans speak for themselves. I have been using the Epson V700 and BetterScanning Variable Height Mounting Station for almost a year, and I’m consistently amazed at the quality gap between these holders. See for yourself…

I posted the photograph (just above, at left) on this blog on December 22. You’re seeing the full image here, with the crops below taken from various parts it. Please note that the cropped samples below are raw scans with basic Levels adjustment (Photoshop) and NO sharpening. The film was dry-mounted to the Variable Height Mounting Station, and the scans were made with identical settings and resolution.

50% resolution crop

LEFT: Here’s a 50% resolution crop taken from the lower left corner. I don’t think I need to say much. Striking, huh?

25% resolution crop

RIGHT: Here’s a 25% resolution crop taken from the lower right corner. Interestingly, even at higher magnification, the difference in quality is fairly slight here, which leads me to believe that my Epson holder may in fact be warped or may hold the film far from perfectly flat.

25% resolution crop

25% resolution crop


LEFT: Here’s a 25% resolution crop taken from near the center of the image. Once again, I don’t think I need to say much.


RIGHT: And finally, here’s one also from near the center, this time at 100% resolution. Again, I say STRIKING!

To my way of thinking, the Epson film holder issue is a typical Epson problem. They make great printers and inks, but Epson papers are under-developed and behind the pack; they make a great black and white printing RIP (Advanced Black & White AKA “ABW”) but it’s not been fully developed (after this many years in production, you’d think you could save and recall ABW settings by now); they make great flatbed scanners (especially for the price), but the film holders are not well conceived and not well-tuned to the scanners for which they’re fit. It’s easy enough to use third-party papers and another RIP, but until the BetterScanning Variable Height Mounting Station came along, one had to live with imperfect Epson film holders and marginal scans or outsource drum scans.

Epson flatbed scanners have always made very capable enlargements up to 11×14″ or maybe even 16×20″, but beyond that, the scan resolution appeared to fall apart. With the BetterScanning Variable Height Mounting Station, even bigger enlargements are possible. I’ll refrain from stating the maximum possible enlagement, since we all have very different ideas of “acceptable” detail and sharpness (“A variable height holder will not turn your scanner into an expensive dedicated film scanner but it will help you obtain all of the potential resolution your particular scanner offers”). However, I’ll still argue that for the most critical output at the largest sizes, nothing will outperform a quality drum scan.

The Variable Height Mounting Station is available for the following Epson flatbed scanners: 1680; 2450; 3170; 3200; 4180; 4490; 4870; 4990; V500; V700; V750. The wet-mount-only holder is only $85, while the wet/dry holder is $120. If you are serious about your scanning, this is a nominal investment to make for a major scanning upgrade. Please note that I do not have any affiliation or business interests with the BetterScanning.com company, nor was I given a free Variable Height Mounting Station or paid for my review – I’m simply an enthusiastic user. How could I not be?

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.

Add to FacebookAdd to DiggAdd to Del.icio.usAdd to StumbleuponAdd to RedditAdd to BlinklistAdd to TwitterAdd to TechnoratiAdd to Yahoo BuzzAdd to Newsvine

R.I.P.: Fuji Acros 4x5\

On August 10, 2009 I reported the demise of 4×5″ black and white Fuji Quickload/Kodak ReadyLoad emulsions: black and white packet films have been all but absent from the market since (excluding eBay).

Well, Fuji broke news yesterday (LINK) that they will cease manufacture of ALL Fujifilm Quickloads in April 2010. Yep, you read that right. Start buying up your favorite Fuji Quickload emulsions now, because after April 2010 it may only be bulk cut Fuji film with which to load your currently empty film holders. If you’ve been hesitant to load your own holders until now, well, you now have no choice. Here’s how to do it.

Fujifilm’s Senior Product Manager for Professional Film, Russ Gunn, explained the move: “It is with great sadness that we have taken the decision to withdraw our Quickload range from the market. Unfortunately the volume of Quickload sales has dropped off to such an extent that they are simply not viable products.”

Gunn continued: “We need to consolidate our range of professional films in order to support our remaining lines. We remain fully committed to the continued support of photographers who appreciate the quality and flexibility of real film but sadly this means slower selling films have had to be sacrificed to enable us to continue to produce and market our more popular formats.”

So, is film dead? No, not a chance. It just got a little less easy to procure and use.

See also: Reaction to Fujfilm’s decision to shutter 4×5 Quickload film.

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.

Add to FacebookAdd to DiggAdd to Del.icio.usAdd to StumbleuponAdd to RedditAdd to BlinklistAdd to TwitterAdd to TechnoratiAdd to Yahoo BuzzAdd to Newsvine

Valley Portal

I made this photograph on Monday, December 7, during a beautiful winter storm in Yosemite Valley (see this post for more info). Frankly, I haven’t worked in such poor conditions for some time! When I first spied this scene, it was windy and snowing heavily. I did not let this stop me from setting up the camera, yet for nearly an hour following the setup, I fought to expose a sheet of film. The snow was deep; my dark cloth was blowing around; my ground glass and lens kept fogging; snow kept landing on the front element of the lens; I was covered in snow; and ultimately, it was simply snowing too heavily to make the photograph I had hoped to make. But I couldn’t quit it, as the idea of this image gnawed at me. So I fought the conditions for an hour, using randomly placed expletives along the way, and finally got my negative exposed. And then the idea of the image once again bugged me and bugged me until I finally got the chance to develop film a couple of days ago.

And now I am at peace. When I have business to attend to and can’t get away, this photograph will serve as my magical portal to the Happiest Place on Earth.

Happy Holidays, folks! Thanks for staying tuned to my blog during 2009!

You are visiting the blog of fine art photographer Michael E. Gordon. For additional photos and information, please visit his official website.

Add to FacebookAdd to DiggAdd to Del.icio.usAdd to StumbleuponAdd to RedditAdd to BlinklistAdd to TwitterAdd to TechnoratiAdd to Yahoo BuzzAdd to Newsvine

Older Posts »